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Notes from the studio.
Writing on private cinema — the design decisions, the engineering behind them, and the way the two meet in a finished room.
A composition, not a product
Why a cinema room resists being bought in parts — and what changes when proportion, light, acoustics and fabric are resolved together.
Acoustics before equipment
The order in which decisions are made determines what a room can ever sound like.
Designing for the architect's drawing
What a cinema specialist should contribute at design stage — and what it should never take away.
One studio, one accountability
What changes when the same team draws the room, engineers it, builds it and signs it off.
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